TWILIGHT JASPER STUDIO SHOT CODE
TWILIGHT JASPER STUDIO SHOT FREE

With that in mind, Edward resolves by the end of Midnight Sun that he will live in the present in their relationship and resist the urge to peek at Alice’s visions:

TWILIGHT JASPER STUDIO SHOT FREE

While Alice does let slip this vision by the end of the book, Edward struggles for as long as possible to give Bella as much free choice concerning her fate as he can. He, of course, does not share this dilemma with Bella, not wishing to encourage her toward the vampirism she claims to want. This knowledge lends a dramatic irony to Midnight Sun, as Edward is constantly questioning whether his every action with Bella might tip the scales in one direction over the other. While his taking Bella to the meadow eliminates the potential future in which he kills her-Edward has the attack of bloodlust that Alice predicted, but pushes through it-he can’t shake the likelihood that Bella will someday be a white-skinned, red-eyed, immortal creature. In real-time, through their arguments and debates over the Swan girl, Edward and Alice collaborate to figure out what is most likely to happen. The way Alice’s visions work is to first provide all potential futures, and then to quickly whittle down options, or clarify the major ones, through present actions. Edward leaves Bella, a blow to her emotional and physical well-being. Concerning Bella, Alice sees a myriad of potential futures, but a few distinct paths stand out: Edward kills Bella. Among the Cullen/Hale siblings, he and Alice are especially close due to their shared mental powers: As he can read her mind, that gives him a direct look into her visions. The biggest “change” that Midnight Sun makes to the Twilight canon is the reveal that Edward knew almost from the beginning that Bella might one day become a vampire. With Renée Dwyer, however, things are loud and clear-perhaps too loud, as Edward considers that even non-telepaths can probably at least intuit Renée’s thoughts and needs, the way that people seem naturally drawn to attend to her.Īlice’s Visions and Edward’s Dramatic Irony

It turns out that he also has difficulty parsing Charlie Swan’s thoughts he can only get fleeting impressions or a few words here and there, as if there is a similar (though more permeable) shield. While he tells her as much in Twilight, in Midnight Sun he ponders what her parentage might have to do with it. One of the things that most draws Edward to Bella is that hers is the only mind that he can’t read, so he constantly feels off-balance around her. Finally, Edward reveals more about his struggle with his vampire nature, and how he has made some peace with his bloody past. In these Midnight Sun interactions, we also get a hint at Edward’s love life pre-Bella… or rather, his potential love life, as- surprise!-there’s not nearly as much as you would expect from a sexy vampire. What Bella didn’t see in Twilight was how much Rosalie pushed back against Edward bringing a mortal into their family and tempting her to give up her humanity, and how Alice’s visions directly impacted his every move around Bella.

TWILIGHT JASPER STUDIO SHOT CODE

(For that, check out Life and Death: Twilight Reimagined, Meyer’s gender-swapped rewrite of the first book that concludes with Beaufort Swan turning into a vampire to be with his immortal lady love Edythe Cullen.) However, it does expand our understanding of vampires through Edward’s perspective of his family: how each of the Cullens was turned, how they found each other, Edward’s personal struggle to follow Carlisle’s code of ethics, and how each Cullen interacts with Edward regarding Bella. Īs discussed in the review, by dint of being a retelling, Stephenie Meyer’s Midnight Sun doesn’t drastically change Twilight canon. The following contains spoilers for Stephenie Meyer’s Midnight Sun.

Twilight jasper studio shot